November 18, 2020
Violent scenes have more impact when they come as a surprise. I am not talking about those in horror stories where the suspense leading up to the action is often more effective than the violence itself. Battle scenes tend to be ongoing and have violence surrounding them but a sudden violent act amongst the turmoil can have a devastating effect. A good example of this can be found in the book, “Against All Odds by Jacqui Murray,” which I reviewed recently. Here the author expertly describes battles between primitive peoples but in the last battle the impact of a sudden violent act against an individual comes as a shock.
My novel “Magic Bullets,” opens in a prologue with violence perpetrated by a single terrorist. This is not referred to again until well into the story but I hope has the reader wondering how this event effects the narrative. I feel that placing such violence in a novel without any lead up to it can be much like what happens in life. The real effect is in the aftermath and comes when the characters in the story deal with it. Post traumatic stress is an occurrence which happens to many people who experience violence, including professional soldiers. The skill of the writer is to examine how these effect the characters in the story.
Published by Peatmore Press
as a paperback and an ebook
October 7, 2020
Writing sex scenes is a special skill which I do not have. I have used such scenes sparingly in two of my novels and only when I felt they fit with the plot and when added they clarified the motivations behind some characters. But sex sells. One only has to look at the success of “Fifty Shades of Grey” and the popularity of erotic films and porn sites on the internet. I must admit marketing was partly behind the decision I made when adding them to my novel “Victim of Compromise” but I still maintain that the scenes played a greater part in making the central characters more rounded.
The sales of DH Lawrence’s “Lady Chatterley’s Lover” sky rocketed during a famous court case to overturn its ban and, more especially, after it became legal to buy in the UK. On reading it I feel it would be a much lesser book if the explicit sex scenes and the language used to describe them were omitted. Now that the Lady Chatterley milestone judgement has passed there are many contemporary writers who excel in the genre of modern erotic fiction. One such author is Harmony Kent whose novel “Back Stage” I reviewed in my last blog. I confess that, despite my past endeavours, I am not one of them.
June 10, 2020
I am fortunate in that, as well as a writer, I am an independent publisher which means I do not have to set targets for my writing. I write when and where I want to. I had had enough having to keep to targets set by my bosses in my day job in the years before I retired. This means that I can go for days without writing a single word, which is often the case as I am lazy. But it also means that I have time to enjoy it.
I like to tell stories and periodically find myself compelled to write them down. Sometimes I write several hundred words a day and on the odd occasion this rises to over a thousand. But more often than not I struggle for words, so my output can be just a few sentences. My first drafts contain all sorts of mistakes of continuity, spelling and grammar. The plot can invariably not make much sense. This is where the editing comes in where content gets changed, thrown out or even added.
I am slightly dyslexic and, fortunately, there are aids on line and in the writing community to help me. Before the age of computers and word processors, I began writing my stories by hand, but this was a slow process as it made for much crossing out and rewriting. I graduated to a portable typewriter and, as I was very much a novice typist, the process became even slower. But then came PCs, the internet, online spellcheckers and grammar aids and I was away on my journey. This technology, though brilliant, is not nearly enough, but the help I receive from the trusted readers I first show my work to is invaluable.
April 9, 2020
It was a different world when we were born and bigotry was part of the culture. Homosexuality was illegal and women were supposed to give up working once they started a family. These attitudes though unpalatable today did not pose the same threats that we face now.
The two generations which preceded us boomers went through the war years and were largely unappreciated by us at the time. We were spoilt and did not care to consider why they thought the way they did. The flower power music and sexual freedoms of our youth were often self indulgent and then gave way to greed for power and possessions. Thus we voted for governments (both Labour, Coalition and Conservative) who failed to plan properly for future generations, similar to the way that the post war administration set up the NHS.
The modern world has been unprepared for the current pandemic. Governments had been warned. As a microbiologist, who spent forty years in government service, I attended national and international meetings where the general consensus was that a pandemic similar to the flu outbreak of 1918 was on its way. These views were largely ignored and other warnings expressed about climate change simply pandered to.
Britain has lost its soul to global corporations. Those that follow us are the smart phone and play station generation that are already being recruited to pilot drones to drop bombs on poor people thousands of miles from where they are based. But on the bright side the Johnson Government is having to introduce measures far more socialist than anything proposed by Jeremy Corbyn. When the current pandemic passes our world will never be the same again.
January 23, 2020
A novel’s backstory can slow down the pace of the narrative. When I read a novel I like to get straight to the heart of the story so it immediately grasps my attention. Often a backstory is not required. It is useful as it helps authors understand what motivates the characters they create. But it may not be needed in the text for readers to understand the plot. Once a backstory has been written it is often deleted during the editing process but if it is needed to flesh out the characters for the reader then the author must decide at what point it should be inserted to have the best effect.
The backstory in my novel, “Magic Bullets”, kicks in at chapter five when the protagonist hears that the first serious love of his life had died and I decided to show what happened during their relationship rather than simply tell another story. I began the novel with a terrorist attack. The episode itself does not occur until three quarters of the way through the book as I wanted to grasp reader’s attention from the start.
I differentiated these out of sequence events from the linear narrative by changing the font to italics. Judging by the reviews most readers liked this approach. There were a few who did not care fore the book but I do not think that their opinions had much to do with the structure. They simply did not like the story. Still you cannot please every one.
Available through http://peatmore.com/magicbullets.htm
July 29, 2019
A friend recently asked me if I could recommend any creative writing courses. I have never signed up for one myself. There are so many it is hard to advise anyone where to start. There are plenty advertised online and several academic courses run by Universities and colleges, one of the most famous being the MA in Creative Writing run by Malcolm Bradbury at the University of East Anglia in the 1970s and attended by both Ian McEwan and Kazuo Ishiguro.
I dabbled in writing fiction in my teens and studied various forms of biology at technical colleges and University up until middle age so I felt I knew how to write basic English and had no pressing need to follow a writing course. But I have attended writing workshops and found them useful in gaining tips has they helped with character development and overcoming writer’s block. Where they really come into their own is in meeting fellow authors and learning about the challenges they have faced in the course of their writing life.
Writing fiction is a solitary endeavour and to swap experiences with those who follow the same path is invaluable and so I recommend those setting out on a fiction writing career to join a local writers group.
July 16, 2019
This is a good maxim for any fiction writer because when one does not know a fact there is a big temptation to make it up. Even fantasy writers base their stories on some element of knowledge which can be scientific or more commonly mythological. As a former professional scientist I sometimes place some science into my narratives. In the early days of my writing, I consciously steered away from this as I did not want the science I published to be confused with my fiction. I even published my fiction under two pennames to make doubly sure that this confusion did not happen. But now more than ten years have passed since I retired from my microbiology job so I have started to write under my own name. This is not only because I want to be recognised by what I have achieved but it allows friends and family to easily find my work.
I am used to research and I know where to go to find the information I want. The internet is a brilliant tool to enable this. In my younger days I spent hours in a library to research a topic before embarking on an area of scientific study and even after the study was completed I had to spend more library time in checking that the references I used in my written reports were sound. Then later on time spent doing this on a PC made the whole process simpler and quicker. There is now a whole growing branch of study involved with this known as Informatics.
But the best way to seek the knowledge needed for a piece of written work is to utilise your own experience. This may be by recalling the geography of the area where you were brought up or by remembering the characters you have met. The latter should be carefully portrayed to avoid offence and the best way to do this is to only select some of their traits, to mix these with those from others and never use the real names of people you know.
June 13, 2019
Writing medical or techno thrillers requires a great deal of background knowledge. But it has not got to be comprehensive as science is evolving constantly. As soon as a scientific discovery is published it can already be out of date.
There are advances that are fundamental science such as the now established structure of DNA which has lead to the identification of individuals (microbes, plants, animals and humans) through genetic fingerprinting. A number of crime writers get round having to deal with modern scientific forensic techniques by setting their stories in the past, usually before the 1960s when genetic analysis was not fully developed. Even today separate forensic laboratories in various countries use different methodologies and these will change over time.
Novelists and short story writers have the perfect get out if the science described in their work is incorrect or outdated in that it really is only fiction. But what they must ensure if they wish their work to satisfy the expectations of their readers is that it has to be believable.